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  • Gay

    Time Out New York / Issue 652 : Mar 27–Apr 2, 2008

    Offscreen romance

    A Four Letter Word is Casper Andreas’s latest labor of love.

    By Beth Greenfield

    QUEER AND DIRECT Casper Andreas directs, from left, Steven Goldsmith, Jesse Archer and J.R. Rolley.

    The term indie filmmaker may get thrown around a lot, but it’s apt in many ways when it comes to Casper Andreas—writer, director, publicist and distributor of his latest queer romantic comedy, A Four Letter Word, opening this week. Still, he was more freed up this time around than on his last film, Slutty Summer, for which he added “costar,” “location scout” and “editor” to the list of hats he wore.

    “I had an editor this time—but I sat with her the whole time,” admits the devilishly handsome Andreas, sitting with TONY in a hoppin’ Chelsea eatery. Sheepishly, he adds, “I am a bit of a control freak.”

    It’s a quality that seems to have worked well for him and A Four Letter Word—a 2007 gay-film-festival darling that garnered a slew of positive reviews in the LGBT press. The feature, made for a scant $125,000, is the story of sexed-up, snappy Luke (Jesse Archer, who cowrote the film with Andreas), whose existence of enjoying nameless hookups and working retail in a sex-toy shop is shaken up when he falls for Stephen (Charlie David, of Dante’s Cove). Side plots deal with Peter (Steven Goldsmith) and Derek (J.R. Rolley), a couple who find their relationship challenged when they move in together, and Marilyn (Virginia Bryan), a recovering alcoholic who questions her sexuality while obsessively planning her marriage to a man. It’s a very New York story, featuring poetic streetscapes, cameos by local nightlife characters including vocalist Adam Joseph and drag queens Clover Honey and Edie, and scenes shot in locations familiar to any local homo—Vlada, XES, Boysroom, Starbar, the David Barton Gym and the Pleasure Chest, which served as the setting for Luke’s place of employment.

    “We had to gay it up,” Andreas explains of the notorious West Village sex emporium. “So we moved the female dildos, the clitoris things, to the back.” Then they slapped up some studly porn posters and got to work on those scenes, filming from midnight to 9am over three days and, Andreas says, initially shocking the straight production assistant with the array of sex toys. “But after a couple days in there we were all playing around with everything,” he says with a laugh.

    Andreas, 35, has been pursuing a career in film ever since he was 20, when he left his hometown of Tibro, in Sweden, to study acting at the Lee Strasberg Theatre and Film Institute in New York. What followed were years of hard work and small rewards, including bit parts in films like Little Children (2006), in which he played a cop, and Woody Allen’s Celebrity (1998), in which he portrayed a stylist. “He was very much like his character,” he says of Allen, imitating the legend’s directing style by hunching over and crazily swirling his hands over his head. Andreas soon decided to teach himself filmmaking, through various books and seminars, and started writing his first screenplay at 25, thinking perhaps it could be a vehicle for his acting, and catapult him into greater roles. “You know, Ben Affleck, Matt Damon,” he says with an aw-shucks smile. “It seemed like the way to go.”

    He shot his first short in 2001 (“I won’t show that to anyone!” he says) and then made the very low-budget ($30,000) Slutty Summer, another New York tale, this one of gay waiters and their various sexual exploits. It was the film that first launched the character of Luke, who was carried over into A Four Letter Word despite being roundly criticized by some viewers as being too much of a queer caricature. “My characters are based on real people, and there are people who are like that,” says Andreas. “Plus, we find out he has all these other sides to him. It’s so easy to dismiss people.”

    Archer says he was proud that such an over-the-top character was the lead, and that he was given depth in the end. “He’s always a punch line, this kind of person,” Archer, 33, says, adding that the portrayal was not such a stretch for him. “I have a reputation as a party boy,” he admits. “Just last week I lost my coat at a club and was running around outside in my tight titty top at 4am!”

    As Andreas moves forward, he says, he plans to continue pursuing an acting career while still making films; his latest, a “darker” gay drama called Between Love & Goodbye, is currently in post-production. “Gay films have a limited audience, and I do want to make mainstream films also,” he says. “It’s just that so far, the stories I’ve been interested in telling have been gay.”

    A Four Letter Word opens Mar 28, 2008, at Clearview Chelsea Cinema.




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